EP2C is a project-based workshop addressed to producers and post-production supervisors.
This workshop is taking an in-depth look at post-production challenges as well as related production and co-production issues. Over the course of one week, we will be exploring technical, financial and artistic post-production aspects in lectures, group sessions and individual meetings.
Dates & venue: October 23-28, 2014 in Austria, Vienna
Application deadline: June 21 (midnight), 2014
More information on applications and scholarships: www.ep2c.com
Contact: info@ep2c.com
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In 2014, EP2C is happy to collaborate with producers, post-production supervisors, VFX supervisors, sound experts, editors, sales agents, lawyers, etc... More experts will be joining the pedagogical team in the coming months.
More information concerning the pedagogical team on our website:
http://www.ep2c.com/workshop-skills-Pedagogical+team-post_production_training-en.html
producers:
· Bettina Brokemper (Germany), Heimatfilm (producer of "Hannah Arendt" by Margarethe Von Trotta; co-producer of "Bal" by Semih Kaplanoglu - 2010 Golden Bear and of Lars von Trier’s "Antichrist", "Melancholia" and "Nymphomaniac").
· Ada Solomon (Romania), HiFilm Productions (producer of "Pozitia Copilului" (Child's Pose) by Călin Peter Netzer - Golden Bear 2013).
· Diana Elbaum (Belgium), Entre Chien et Loup (co-producer of "The Congress" by Ari Folman - Directors' Fortnight 2013, and Jury Prize at Cannes 2010 for "A Screaming Man" by Mahamat Saleh Haroun).
· Sébastien Delloye (Belgium), Entre Chien et Loup (producer of "Vijay and I" and "Irina Palm" by Sam Garbarski; co-porducer of "The Suicide Shop" by Patrice Leconte).
post-production supervisors:
· Niko Remus (Germany) - Niko has been working as a post-production supervisor mostly on international co-productions. His recent projects include: "A Pidgeon sat on a Branch reflecting on Existence" by Roy Andersson, "Hannah Arendt" by Margarethe von Trotta and "Only Lovers Left Alive" by Jim Jarmusch.
· Hans van Helden (The Netherlands - Filmmore) - Hans has worked as post-production & VFX supervisor for more than 13 years mostly for international feature films. His projects include Paul Verhoeven's "Black Book", Felix van Groeningen's Academy Award-nominated "The Broken Circle Breakdown" and Martin Koolhoven's "Winter in Wartime".
· Michel Schöpping (The Netherlands) - Michel is a sound supervisor with over 50 films in his portfolio, he is also lecturer at the Dutch Film Academy. Michel's latest credits include "The 5th Season" by Peter Brosens and Jessica Woodworth and "The Broken Circle Breakdown" by Felix van Groeningen.
VFX supervisor:
· Julien Meesters (France - Mikros Image Group) - Julien works as a Visual Effects Supervisor and Creative Director. His credits include: the Oscar & Cesar winning "Logorama", "Love" by Michael Haneke (Golden Palm), "Rust and Bones" by Jacques Audiard.
editor:
· Monika Willi (Austria) - Mona is an editor based in Austria. She mainly edited the past years with Michael Haneke (“Amourâ€, “The White Ribbonâ€, “La Pianiste†a.o.), Michael Glawogger (“Workingman’s Deathâ€, “Whores’ Gloryâ€, “Contact High†a.o.) and Barbara Albert (“Northern Skirtsâ€, “Free Radicalsâ€, “The Death and the Living†a.o.)
as well as the following experts:
Katriel SCHORY - Director of The Israel Film Fund (Israel); Danny KRAUSZ (TBC) - Producer (Austria); Michael HACKL - Post-production supervisor (Germany - ARRI); Michi NORO - Post-production supervisor (Belgium); Neeltje VAN DER HEIJDEN (TBC); DI Producer (Netherlands - Filmmore); Pierre-Emmanuel MOUTHUY - Lawyer (Belgium); Laurence KAYE (TBC) - Music expert (UK); Shaun FARRINGTON (TBC) - Creative marketing (UK - Zealot)
The EP2C 2014 edition is organised with the support of the MEDIA Programme of the European Union, Filmfonds WIEN, Fédération Wallonie-Bruxelles, VAF (Vlaams Audiovisueel Fonds), TorinoFilmLab, Arri Media Services, Entre Chien et Loup and in cooperation with MEDIA Desk Austria, Rotterdam Lab, Meetings on the Bridge - Istanbul Film Festival, Cinema en Construction, OLFFI, EAVE, ACA, Produire au Sud, Les Cinémas du Monde, Filmmore, Digital Production Challenge.